March 29, 2010

Barbara Pym again

It sounds like I’m being cutesy, but it’s true: something had been a little “off” around here, reading-wise, and it dawned on me that the problem was that I hadn’t read Barbara Pym in ages. So I’ve got on that with Some Tame Gazelle, her first published novel, which she started writing whilst a student at Oxford, proof that she’d been turned onto middle-age spinsters early.

Also, aren’t these Moyer Bell editions quite lovely? The prints call Persephone Books to mind, though of course these aren’t quite as artful, but they’re also ridiculously inexpensive. I love them.

Though I know exactly why I love Barbara Pym, I can think of all kinds of reasons why I might not– she’s never written an opening scene that didn’t involve the vicar or the curate (and I don’t even know what a curate is), not to mention that Jane Austen comparison (because I’m not really so crazy about Jane Austen myself). The last Pym novel I read was Unsuitable Attachment (which was the fourth Pym novel I’d read) and I finally saw the Austen comparison, in that so much of her plots are to do with couplings.

With Pym, however, the couplings are merely an excuse for everything else, rather than ends in themselves. And everything else is usually absurd, funny, understated and surprising. With a great degree of subtlety, she deals with adultery, homosexuality, loneliness, friendship, spirituality, marriage and sexuality, which is a surprising array for a writer who’d been dealing with spinsters since adolescence. I love her narrators, and their English reserve, and the story we glimpse around this. And yes, I love the tea. Always, the tea, and the irresistible bookishness.

Barbara Pym is charming, delightful, splendid, and so smart. Now that I’m reading her again, all is right with the world.

November 27, 2009

Pym Up A Ladder

As I’ve written already, I’m having a terrible time finding Barbara Pym novels, and it seems I just have to wait for her fans to die because there’s no other way they’re going to let her go. I sort of fancied just walking into any old used bookshop and buying up her library for a dollar or two, but alas, no dice.

This is bothersome because I fell in love with Pym just a few weeks back (via Excellent Women), and then Maureen Corrigan kept going on about her, and now DoveGreyReader has just posted a marvelous ode. In which she notes Pym’s A Very Private Eye: An Autobiography in Diaries and Letters, which is available at Ten Editions Bookstore, at the end of my street, no less.

So I had no excuse not to go and fetch it, and why not the Pym novel No Fond Return of Love while I was at it? It was a hardcover, in excellent condition and with a gorgeous dust jacket (that put me in mind of Persephone Books) and not too expensive. So that’s done, and it’s fine, because I’ve shown excellent book buying restaint this past month. Except A Child’s Christmas in Wales that I bought yesterday, but that doesn’t count, because it’s illustrated with woodcuts by Ellen Raskin and she wrote The Westing Game.

The very best part of all of this is not my purchases themselves, however, or even my supposed restraint, but that the books I bought today were to be found high up a ladder. The kind that slides along the shelf of course, and I sought permission before I felt free to climb it. Permission granted, and I’ve never found a book in such a fashion in my bookbuying life. Such a monumental moment, to be commemorated with a photograph of course. The whole thing was very exciting.

January 25, 2024

The Writing is the Point

I texted my husband a few months ago with an idea I had for a new novel. He replied with a comment about how he was excited that I was excited about writing something new. “I bet you are, ha ha,” I wrote back, because he’d been the one to console me through my months of post-publication ennui, but he affirmed that he really meant it, because he knows that writing is a thing I do, even if it’s not a wise thing, and certainly not a financially lucrative thing, even if publication itself is not a destination that delivers me much in the way of satisfaction and contentment. And that is why I love him, and this is what love is, I think, someone who gives you permission to make bad choices that are the right choices, because even though they might know better, they also understand.

Towards the end of December, I was feeling paralyzed creatively, any confidence I’d felt in my abilities and expertise totally zapped by how hard it had been to publish my latest novel. I felt like a fraud. It was painful, and dispiriting, and I’m so grateful for the long break I took over the holidays, to retreat from the FOMO of the online world and take solace in actual real life people (to quote a certain Anna) and a huge pile of books, to feel my soul grow back, and begin to feel creative and inspired again.

In 2021, I hadn’t been without a project in years. I started Mitzi Bytes in 2014, I started Asking for a Friend in 2015, published Mitzi Bytes in 2017, and started Waiting for a Star to Fall in 2018. That makes for almost a decade with something creative waiting in my back pocket, an easy answer to the question, are you working on something new? Plus there was a global pandemic still going on and, though I didn’t know it at the time, I was well on my way to a mental health crisis that was going to break my brain, so it’s not so surprising that I was having some trouble thinking up a new idea for a book.

Somehow I broke through that pressure, however, and started writing a novel about a woman who has just left (exploded) her marriage and who begins a new life in a Toronto rooming house, a novel about a character I’d envisioned as a modern day Barbara Pym heroine. I had a framework for the novel, 12 chapters, each one taking place over a month, the entire novel the course of a year. The trouble started, however, when I’d reached 70,000 words and wasn’t even six months in, plus the problem of there being no plot. So I abandoned that project, and decided I would write a thriller, but then that fell apart, and then I fell apart. Speaking of paralyzed.

Imagine my surprise, however, when I reread the modern-day Pym book a year later…and realized it was really good? (It was really good because, though my crippling self-doubt of last fall would tell me otherwise, I’ve figured out a thing or two about writing novels, and also because I started writing it under the influence of Katherine Heiny, whose work has taught essential things about enlivening fiction and highlighting the absurdity of everyday life). I decided to abandon the 12 chapter framework, broke the chapters down into smaller pieces, conceded that a literary arc could be possible in a six month period, and just fell deeper and deeper in love with Clemence Lathbury and her world.

Last year I set to revising the manuscript, in between edits and revisions on Asking for a Friend, preparing for that book’s publication, and working with manuscript consultation clients…and I didn’t get much done. Something was missing, and I didn’t know what it was. I didn’t have the focus. Maybe there’d been nothing there there after all? But the bits of dabbling I was doing over the fall suggested otherwise. At the end of December, as I recovered from a difficult season and prepared to start creating again—remember, I had this idea for another new novel, this one a family saga—I set a goal of first getting Clemence’s story into fighting form by the end of January, if such a thing was even possible. Was it possible?

But reader, I did it! Yesterday I added the final link in the thread that had been missing from my narrative, and today I read the final chapter and the epilogue, and was just absolutely dazzled by the ending, which I’d forgotten altogether, and I was properly impressed with myself for pulling it off. I begin working with manuscript consultation clients for the next two months, but will commit to a read-through in April, after which point I will likely (!) send it off to my agent. The prospect of which terrifies me to no end, because while I think that my agent will like it, and that it’s the best book I’ve ever written (so fun! so smart! so full of humour and light!) I’m also the author of three poor-selling novels, which is not a stellar track record, and the deeper on gets on that path, the harder it becomes to change course. Sigh.

But right now, I’m choosing not to focus on that, instead to celebrate my win of getting to this finish light, amidst global crises, and mental health breakdowns: I have written another novel and I really really love it. I am also having fun putting together my new newsletter, and I’m recording the first interview for my new podcast tomorrow! And at some point in the next few months, I’m going to start writing that family saga, and maybe I won’t be able to pull it off, and maybe no one’s going to want to publish it even if I do, a challenge I’ll face if and when it arrives, but in the meantime I will do what I do, which is write, because I love to write, because the writing is the point.

January 5, 2024

Creative Goals for 2024

We woke up to 2024 with a thin layer of snow on the ground, surprise, surprise, particularly in this winter that isn’t—not that I’m complaining about that. But the snow delighted me, a fresh coat, a blank canvas, the perfect note on which to begin again. And for (at least?) the fifth year in a row, we returned to the lake to greet the year, to the edge of the land, where the waves come in again and again, where the beach is forever changing, never the same place twice.

A fresh coat, a blank canvas—these things invigorate me. I’ve spent the last three weeks laying low, staying quiet, coming back to myself after an autumn that left me quite exhausted and feeling creatively paralyzed, most uninspired. The space and quiet making me feel ready to create again, to get excited and make things. To switch up my routines as well and try some new things, to recalibrate. And to decide that the following are where my creative focus will be directed.

1. Finish my novel! This is my Emily Henry-meets-Katherine Heiny-with Barbara Pym as a maiden aunt-book, which I’ve been writing since 2021, and which just might be the freshest, funniest, smartest thing I’ve ever written. It currently needs its final third radically altered, and my goal is to have the draft ready to go by the end of January.
2. Focus on long-form writing (ie sign up for my Substack!): I spent all fall yearning to write an essay about why a museum takes up so much real estate in my novel, but lacked the time/focus to get it done, until I was called on to write an author talk for an event in November, and finally getting that piece on paper just felt so good. I want more of that! And I want less of the fragmentation of thinking that results from so much time spent on Instagram. AND SO…I am trading that time for a commitment to writing one fun, rich and engaging essay every month throughout 2024, and after the first three months, those essays are going to be for paid subscribers only on my Substack. (If you already subscribe to my newsletter, which is a digest of blog posts and book reviews, you’re automatically signed up for the Substack—watch your inbox for my first essay [on Danielle Steel’s Jewels, naturally!] at the end of the month!)
3. Create a podcast! Coming in March. WATCH THIS SPACE!! I am excited to learn more about audio recording and editing and to have some fun conversations about books and reading.
4. Begin a new book: There is a story in my head, or rather a sweeping family tree, and I think that all this might be a book I want to write (a book that inspired me to pick up Danielle Steel’s Jewels again, actually!). I want to write a saga! A saga necessitating the fact of historical fiction. Am I up to it? Can I pull it off? The only way to find out is to try….

March 18, 2022

Home Office

The desk we bought to replace a patio table we’d been using indoors at the height of WFH (about a year ago; things since then have improved and half our household now leaves the house to go to school) finally has a proper chair, thanks to Tiny Beaches Interiors, from whom we also got the desk. And I’m working here today because it’s March Break downstairs and I’m spending this morning working on Draft 2 of my new novel, which I’m billing as “Emily Henry meets Katherine Heiny, with maiden aunt Barbara Pym looking on approvingly.” It’s a lot of fun.

January 6, 2022

What I read on my holidays…

The end-of-year holidays is my very favourite reading period, when I shun new releases and top of the bestseller charts, and devote my time to smelly paperbacks I found in Little Free Libraries, novels I bought at used bookstores years ago with the best intentions but still haven’t read yet, and other books that have been sitting on my to-be-read shelf for far too long. It’s also the holiday where I’m not travelling, where my days are mostly full of hours to fill with reading (staying in bed for ages in the morning, reading all afternoon…) especially since it’s also the time of year where I mostly abandon the internet.

I love reading in the holidays because I get to finally make a dent in my epic to-be-read pile, to feel less overwhelmed by all the books before me and to get down to brass tacks. It was WONDERFUL.

---

Dear Exile, by Hilary Liftin and Kate Montgomery

I first read this book almost 20 years ago after stealing it from the youth hostel where I was living at the time, far across an ocean away from my own dear friends, including one that was named Kate. And so this story of two friends post-college on separate continents was very resonant, I recall. And then I mostly forgot about it…until I realized that my next novel, about two best friends, had definitely been informed by Dear Exile. And so I purchased a secondhand copy online and read it all again, and was bowled over by how extraordinarily good Liftin and Montgomery’s writing is. I don’t think anyone would ever publish that I sent my friends in a book. Also offers an extraordinary glimpse of late 90s dot.com work culture, whose tail end I had a sense of a few years later. A more innocent time. THE CYBERSEX!

*

When Things Fall Apart, by Pema Chodran

As I’ve written already, I rolled into the holidays in a mental health crisis, and so this title spoke to me when I encountered it on the shelves of the best store in the city. Definitely the book I needed in the moment—this book has showed me a glimpse of a world in which I don’t always need to be freaking out about what’s around the corner and instead just focussing on right now. Even if right now is hard.

*

Rocks Don’t Move, by Shari Kasman

Kasman and I have been sharing a swim lane on Mondays for a few months now (and we will again!), and after I read about her new book in The Toronto Star, I knew I had to have a copy. It was a remarkable book to read after When Things Fall Apart, actually, which its emphasis on subjectivity. What is a fact? What’s a feeling? An opinion? And what is community? This book grapples with these questions rather marvellously.

*

Sport, by Louise Fitzhugh

I either found this book in a Little Free Library or picked it up at a used bookstore this summer to add to my Louise Fitzhugh collection—and when it still felt like things were falling apart for me, to sit in my bathtub one Sunday night reading this while eating leftover fried chicken just felt like the greatest thing in the world.

*

Dirty Birds, by Morgan Murray

I met Murray in November when we both attended the Wordstock Sudbury Book Festival. Our hotel was as far away from the airport as was physically possible that weekend, and so we had lots of time to get to know each other in the airport van. Morgan Murray is notable for being a man who read my novel who is neither my relative nor a friend (though I might consider him one now—he’s wonderful). His debut novel was also nominated for the Leacock Prize and was such a delight to finally encounter. It has footnotes, AND cartoons. I really enjoyed it.

*

Voices in the Evenings, by Natalia Ginzburg

I’ve read a Natalia Ginzburg book over the past two winter holidays, and so was excited to read this one, which came out in English just this year. Truthfully, I loved it less than I’ve loved her other novels, but I loved them a lot, so that’s not saying much. She’s wonderful.

*

The Flatshare, by Beth O’Leary

I found this book in a Little Free Library this fall and knew I’d be looking for something light and cheerful. Like the Mhairi McFarlane book I read this summer, it was not as light as you think, but that’s probably why I liked it. Great character, some emotional complexity. Initially I was a bit suspicious that a novel about two flatmates who never meet would work…but it did!

*

The Ravine, by Phyllis Brett Young

Phyllis Brett Young’s The Torontonians is a beloved novel for me, and The Ravine is a noir novel she published under a pseudonym a few years later, reissued by Vehicule Press’s Ricochet Books with an introduction by Amy Lavender Harris, who was the whole reason I discovered The Torontonians in the first place. I really liked it—sinister, over the top, but with some interesting complexity and bit of a Shirley Jackson/Peyton Place England edge.

*

A Room Called Earth, by Madeleine Ryan

I spent a lot of early 2021 ordering books online from indie bookstores and this one was a title I threw into the order to make it worth my while. I read it on Christmas, which turned out to be perfect, because it was set at Christmas, albeit in Australia. Madeleine Ryan, who is autistic, writes about a character who herself is neurodiverse, though this is not made explicit in the text itself. Instead, the reader gets to see the world through the character’s unique perspective, which is extraordinary.

*

Your Guide to Not Getting Murdered in a Quaint English Village, by Maureen Johnson

I gave this book to my husband for Christmas, as we’ve spent a lot of time watching Midsomer Murders together over the years, and it proved a lot of fun. Our daughter also read it and related because she’s a fan of Johnson’s Truly Devious series.

*

Orwell’s Roses, by Rebecca Solnit

I received Orwell’s Roses as a Christmas present, the latest from Rebecca Solnit, who’s become well known for her pamphletty essay collections on politics and feminism, but whose larger literary projects (especially informed by her background as a geographer) were how I fell in love with her work in the first place. In this delightful meandering book, she reflects on a garden of roses Orwell planted at his home in Wallingford, Oxfordshire, and how this and other factors complicate common perceptions of the writer. Orwell continues to be fascinating for his critique of the USSR and authoritarianism all the while not becoming a right-wing nutjob in response, which was the usual trajectory.

*

Turn, Magic Wheel, by Dawn Powell

I bought this book at a used bookstore years ago, and have been failing to pick it up for years. Dawn Powell published this in the 1930s and her obscurity has been lamented by such forces as Fran Lebowitz and Rory Gilmour. It is exquisite, sharp and clever, full of edges and surprises.

*

Eleanor and Park, by Rainbow Rowell

Rowell’s Attachments was one of my favourite books of last year, and everyone told me that I had to read Eleanor and Park, which I think we found at Value Village. And I really liked it.

*

If You Want to Make God Laugh, by Bianca Marais

Also so happy to finally read this novel by Bianca Marais, whose podcast has been a big part of my year.

*

My Mom Had an Abortion, by Beezus Murphy

And then this book arrived in the mail, which I’d supported through its Kickstarter—it was so well done, telling such an ordinary story that doesn’t get addressed enough—how many of us only exist at all because of an abortion. It’s a graphic novel geared to teens and manages to address what’s simple and complicated about abortion all at once.

*

To Say Nothing of the Dog, by Connie Willis

And omg, this book, this book!! Be still, by Dorothy L Sayers/Barbara Pym/Jumble Sale loving heart, all wrapped up in a bonkers time travel plot. This novel was a gift and such a perfect novel to be reading as the new year began. (Grateful to Lindsay for the recommendation!)

December 15, 2021

2021: Books of the Year

• Ghosts, by Dolly Alderton
• Phosphorescence, by Julia Baird
• The Most Precious Substance on Earth, by Shashi Bhat
• Constant Nobody, by Michelle Butler Hallett
• The Adventures of Miss Barbara Pym, by Paula Byrne
• The Prairie Chicken Dance Tour, by Dawn Dumont
• Tainna, by Norma Dunning
• Half Life, by Krista Foss
• A Womb in the Shape of a Heart, by Joanne Gallant
• Instamom, by Chantel Guertin
• Early Morning Riser, by Katherine Heiny
• Accidentally Engaged, by Farah Heron
• How the One Armed Sister Sweeps Her House, by Cherie Jones
• Time Squared, by Lesley Krueger
• The Girl From Dream City, by Linda Leith
• The Souvenir Museum, by Elizabeth McCracken
• Summerwater, by Sarah Moss
• Big Reader, by Susan Olding
• Our Darkest Night, by Jennifer Robson
• Beautiful World, Where Are You, by Sally Rooney
• Wayward, by Dana Spiotta
• Lucky, by Marissa Stapley
• Fight Night, by Miriam Toews
• A Lethal Lesson, by Iona Whishaw
• The Fourth Child, by Jessica Winter
• Crying in H Mart, by Michelle Zauner

June 1, 2021

May/June

May and June are my favourite months. They’re so much my favourite months that I like April even better for the sole reason that in April, we still have all of May and June before us. May and June encompassing what I like to think of as “Kerry Season,” from Mother’s Day until my birthday a month and a half later, and in between those two auspicious dates, both my daughters have their birthdays, we celebrate our wedding anniversary, and there’s that EPIC FESTIVAL known as Father’s Day, which is like Mother’s Day, but smaller. (Both my mother and my mother-in-law also celebrate their birthdays in June. So did Barbara Pym. How could 30 days contain such wonder?)

We are lucky in our household that anybody’s special day is everybody’s special day—we all get takeout and cake. We’ve been especially lucky this year in Toronto that the weather has been glorious and all the most incredible flowers are in bloom. May and June is the season of having so much to look forward to, even before we roll into summer proper. May/June is the season where sometimes we get tired of cake. May/June is before we start visiting places infested with bugs and before I start getting covered in rashes. Before everything is covered in sand, and beach days are just a delicious fantasy. But it’s not too soon for too much ice cream.

May and June are one of those rare experiences that I love and don’t encounter enough, which manage to be wondrous in themselves, but also on the cusp of everything. May and June are like the most wonderful swan dive off a cliff, gorgeous, in slow motion, and at the end of it all is the clearest, bluest lake you’ve ever seen. SUMMER.

May 28, 2021

Pfingsten

I’ve been reading Barbara Pym all spring, as I’ve mentioned several hundred times, and the Anglican rituals, for me, have always been the most curious aspect of these books—the vicars, and the curates, and the cassocks. What’s a cassock? I don’t even know. And especially: what is Whitsun? Whitsun, which is never a major plot point, but simply part of the course of the year (and occasion for a bank holiday). I had to google it—Whitsun is the Pentecost (and then I had to google that, and I still don’t really get it), celebrated the seventh Sunday after Easter. And frankly, not a lot—Barbara Pym aside—has been going on this spring, as Ontario moves into its eleventeenth month of lockdown, so I decided this was the year I was going to make Whitsun a thing. What that would entail exactly, I wasn’t sure. Definitely not church. But we needed something to look forward to, a goal to shoot for, and so Whitsun it is. (And indeed, this is cultural appropriation. Church of England Cultural Appropriation. It’s not the same thing.)

I decided this during a terrible weekend in mid-April where our provincial government’s incompetence took a swan dive off a cliff. Finally, after the government waiting to see whether modelling numbers predicting ICUs being overwhelmed with patients would play out in reality (SPOILER: they did! Who would have guessed?) the province moved into a locked-downier lockdown from the lockdown we’ve been locked down in since November 23. Six weeks on from then would be Whitsun. Surely by Whitsun, I told myself, we would find ourselves in a better place? Keep looking in the direction of the place you want to get to has been my motto all along…

And here we are, with falling infection rates, with vaccine rates that are really high. We were still in lockdown for Whitsun and the lockdown carries on, but it was so good to mark a milestone on a weekend with such beautiful summer weather. I’d also ordered peonies, because I’d received an enticing ad from a local florist, and the great thing about made-up holidays (all holidays are made-up holidays, even Whitsun, though I’ll acknowledge that my version of Whitsun was particularly improvised) was that you get to make them whatever you want. Whitsun peonies, I decided. And we’d make a Victoria sponge cake. I booked a car so we could go somewhere. We were going to make this the best Whitsun ever!

And it was! It was already a holiday weekend in Ontario and we’d gone for an epic bike ride the day before (Whitsun Eve). On Whitsun itself, we had Sunday waffles as usual but they just tasted better for it being Whitsun. I finished the book I was reading (Day for Night, by Jean McNeil, which I’ll be writing about here soon…). We went to Ontario Place, and had a second weekend in a row with two lake days in a row. We got ice cream. We came home (no traffic) and had an amazing barbecue supper, and then just as I was assembling the Victoria sponge cake (which was beautiful and delicious and did not look like it had been assembled by a blindfolded toddler—a first for me!) a friend sent me a text and asked if our family would like to join theirs for fireworks in the park that evening.

I can’t believe they were lighting fireworks for Whitsun!

Our children have never seen fireworks before and it turned out to be the most magical display, the first real life communal experience we’ve had while not sitting in a vehicle since March 2020 (albeit at safe distance for other people and also explosives). It occurred to me that if everybody just carried around lit sparklers all the time, we’d have no trouble staying six feet apart at all.

Even more cool things: on Sunday I was scrolling through the #Whitsun hashtag on Instagram, and what do I find. Peonies! Whitsun peonies EVERYWHERE. It turns out that the Pentecost is a national holiday in Germany and peonies (pfingstrose, translation Whitsun Rose) are the official symbol. Sometimes when you’re making it up you get it exactly right.

Not all days are glorious. Our bike ride on the Saturday before Whitsun was hot and full of whining. When we finally got to our destination, the beach was full of thick green algae and bugs were swarming us. A very loud church service was being amplified unavoidably, and it was weird and obnoxious. I was allergic to something and broke out in a rash, and on the long ride home we got caught in a rainstorm. “That was awesome,” we said at the end of the journey (20km) but also absolutely awful.

Whitsun though. Whitsun was perfect. Sometimes you get lucky. Sometimes you get to make it up and everything goes right.

May 10, 2021

Big Reader, by Susan Olding

Susan Olding’s essay collection, Big Reader, is a bibliophile’s delight. The follow-up to her 2008 collection Pathologies affirms should be on the radar of all book-loving people whose hearts skip a beat at the sight of Natalie Olsen’s marbled cover art, a riff on vintage endpapers. But then of course if you look closely, you will notice that the design is less abstract than it first appears, and the marble is a river, and leaves are floating on its surface, and a leaf can be the page of a book or something growing on a tree, to be gathered with a rake when it eventually flutters to the ground, and there’s even an essay on rakes, as in the garden tool and the 18-century series of engravings by William Hogarth “A Rake’s Progress.” Mutability is a theme of, well, life itself, as Olding’s collection attests.

She writes about Anna Karenina and her own affair in a fabulous essay on rereading. She reflects on infertility at Keats’ house. (I just finished reading Barbara Pym’s new biography, which also includes a scene at Keats’ house, a tragic scene in which Pym occurs in a cameo role in one of her novels. It seems like no one has a lot of fun at Keats’ house.) Fairy tail tropes and stepmothering in her essay “Wicked,” which first appeared in the essay collection The M Word, which I edited in 2014. Inspired by Woolf, she writes of “Library Haunting.” On how her mother’s reading life changed as the result of her vision loss. About reading The Golden Notebook on a resort vacation to Hawaii, kind of incongruous. In “Another Writers Beginnings,” which is a response to Eudora Welty and seems in conversation (or at least keeping rhythm) with Joan Didion circa Slouching Toward Babylon, Olding writes a take on self-doubt that I found against the grain of our current moment and also absolutely refreshing—that our self-doubt can serve us as writers. Who would we be without it?

I’d read in a previous review that Oldings essays on Toronto during the AIDs crisis (and the Don River) and another on blood types seem incongruous with the collection’s theme of books and reading, but they actually worked for me, for the way that Olding reads the landscape like a story in the former, and the body in the latter, always searching for signs. She writes about working at a bookstore in downtown Toronto, and how she used to read at the counter, and the oversized atlas kept getting stolen on her watch. Throughout the whole book, she writes about a refusal to conform, to fall into line, to veer into the unexpected, to be one thing and then quite another. “I needed to wander. I wanted to follow a string of words.”